torsdag 10. desember 2015
torsdag 26. november 2015
Bauhaus og kunstnere
Kandinsky og Josef Albers var begge kunstnere som underviste ved Bauhaus. "In 1922 Vasily Kandinsky (b. 1866, Moscow; d. 1944, Neuilly-sur-Seine,
France) accepted a teaching position at the Bauhaus, the state-sponsored
Weimar school of art and applied design founded in 1919 by architect
Walter Gropius. The school’s curriculum was based on the principle that
the crafts were equal to the traditional arts and was organized
according to a medieval-style guild system of training under the
tutelage of masters. Kandinsky conducted the Wall Painting Workshop and
Preliminary Course and taught at all three of the school’s sequential
locations in Weimar, Dessau, and Berlin until 1933, when the Bauhaus was
closed due to pressure from the National Socialist (Nazi) government.
Geometric shapes came to play a dominant role in Kandinsky’s pictorial vocabulary at the Bauhaus; the artist, who was interested in uncovering a universal aesthetic language, increased his use of overlapping, flat planes and clearly delineated forms. This change was due, in part, to his familiarity with the Suprematist work of Kazimir Malevich and the art of the Constructivists. Kandinsky’s turn toward geometric forms was also likely a testament to the influence of industry and developments in technology." (Fra Guggenheim New York)
"In 1923, Walter Gropius appointed him to the teaching staff of the Bauhaus. Here, he represented the classical Bauhaus concept whereby every artistic activity was to be developed according to both the function of the piece and the properties of the material. He received a teaching commission for the preliminary course and also became an apprentice master of works in the glass painting workshop. In 1925, Walter Gropius appointed him as a junior master. In the same year, he married the Bauhaus student Anneliese (Anni) Fleischmann.
From 1925 to 1927/28, he directed the preliminary course at the Bauhaus Dessau together with László Moholy-Nagy. After the latter’s departure in 1928, Albers became the sole director of the preliminary course and also the head of the carpentry workshop until 1929. At the Bauhaus Berlin, Albers was head of the preliminary course and taught drawing and lettering classes from 1932 up to the school’s dissolution in 1933." (Fra http://bauhaus-online.de/en/atlas/personen/josef-albers)
In 1920, Walter Gropius appointed Klee to the Staatliches Bauhaus in Weimar. He became the director of the bookbinding workshop in 1921, of the metal workshop in 1922 and of the glass painting workshop from 1922/23 to 1925. From 1921 to 1924/25 in Weimar, Klee taught classes in elemental design theory as part of the preliminary course. The first Klee exhibition was organised in New York in 1924. That same year, Klee and the artists Alexej Jawlensky, Wassily Kandinsky and Lyonel Feininger co-founded the group Die Blauen Vier (The Blue Four). One year later, the Vavin-Raspail gallery in Paris organised the first French exhibition of Klee’s work. In 1925, Klee’s Pedagogical Sketchbook was the second volume in the series of Bauhaus Books published by the Bauhaus.
In October 1919, Itten was appointed as one of the first masters at the Staatliches Bauhaus in Weimar by Walter Gropius. Until 1922/23, he was both director of the preliminary course which he had developed independently for the introductory semester and master of form of all the workshops except for the ceramic, bookbinding and printing workshops. Itten made a significant contribution to the Bauhaus by promoting the Mazdaznan cult, which spans religions and philosophies. After internal differences with Walter Gropius, Itten left the Bauhaus in March 1923.
Geometric shapes came to play a dominant role in Kandinsky’s pictorial vocabulary at the Bauhaus; the artist, who was interested in uncovering a universal aesthetic language, increased his use of overlapping, flat planes and clearly delineated forms. This change was due, in part, to his familiarity with the Suprematist work of Kazimir Malevich and the art of the Constructivists. Kandinsky’s turn toward geometric forms was also likely a testament to the influence of industry and developments in technology." (Fra Guggenheim New York)
"In 1923, Walter Gropius appointed him to the teaching staff of the Bauhaus. Here, he represented the classical Bauhaus concept whereby every artistic activity was to be developed according to both the function of the piece and the properties of the material. He received a teaching commission for the preliminary course and also became an apprentice master of works in the glass painting workshop. In 1925, Walter Gropius appointed him as a junior master. In the same year, he married the Bauhaus student Anneliese (Anni) Fleischmann.
From 1925 to 1927/28, he directed the preliminary course at the Bauhaus Dessau together with László Moholy-Nagy. After the latter’s departure in 1928, Albers became the sole director of the preliminary course and also the head of the carpentry workshop until 1929. At the Bauhaus Berlin, Albers was head of the preliminary course and taught drawing and lettering classes from 1932 up to the school’s dissolution in 1933." (Fra http://bauhaus-online.de/en/atlas/personen/josef-albers)
In 1920, Walter Gropius appointed Klee to the Staatliches Bauhaus in Weimar. He became the director of the bookbinding workshop in 1921, of the metal workshop in 1922 and of the glass painting workshop from 1922/23 to 1925. From 1921 to 1924/25 in Weimar, Klee taught classes in elemental design theory as part of the preliminary course. The first Klee exhibition was organised in New York in 1924. That same year, Klee and the artists Alexej Jawlensky, Wassily Kandinsky and Lyonel Feininger co-founded the group Die Blauen Vier (The Blue Four). One year later, the Vavin-Raspail gallery in Paris organised the first French exhibition of Klee’s work. In 1925, Klee’s Pedagogical Sketchbook was the second volume in the series of Bauhaus Books published by the Bauhaus.
In October 1919, Itten was appointed as one of the first masters at the Staatliches Bauhaus in Weimar by Walter Gropius. Until 1922/23, he was both director of the preliminary course which he had developed independently for the introductory semester and master of form of all the workshops except for the ceramic, bookbinding and printing workshops. Itten made a significant contribution to the Bauhaus by promoting the Mazdaznan cult, which spans religions and philosophies. After internal differences with Walter Gropius, Itten left the Bauhaus in March 1923.
onsdag 25. november 2015
torsdag 12. november 2015
onsdag 11. november 2015
Olafur Eliasson
Denne herren er også opptatt av lys og farge.
Og "forskende" akkurat som D. Rybakken...
"Olafur Eliasson (f. 1967, Danmark/Island) är en av samtidens mest uppmärksammade konstnärer. Sedan tidigt 1990-tal har hans verk presenterats i åtskilliga utställningar över hela världen. Eliasson arbetar i skulptur, måleri, fotografi, film och installationer, men också med arkitekturprojekt och platsspecifika verk i det offentliga rummet. Ljus, vind och vatten i alla dess former är återkommande inslag. Trots detta är naturen snarare närvarande som verkens material än som motiv."
Og "forskende" akkurat som D. Rybakken...
"Olafur Eliasson (f. 1967, Danmark/Island) är en av samtidens mest uppmärksammade konstnärer. Sedan tidigt 1990-tal har hans verk presenterats i åtskilliga utställningar över hela världen. Eliasson arbetar i skulptur, måleri, fotografi, film och installationer, men också med arkitekturprojekt och platsspecifika verk i det offentliga rummet. Ljus, vind och vatten i alla dess former är återkommande inslag. Trots detta är naturen snarare närvarande som verkens material än som motiv."
Kreativ med lys...
Daniel Rybakken og det nye lyset
Daniel Rybakken (1984) har markert seg som en nyskapende og markant designer. Han eksperimenterer med dagslys og arbeider med å skape illusjon av dagslys der det ikke finnes. Rybakken undersøker hvordan lyset påvirker mennesker og den arkitektoniske romopplevelsen. Han lager både møbler og lamper, men også romlige kunstinstallasjoner.
Daniel Rybakken (1984) har markert seg som en nyskapende og markant designer. Han eksperimenterer med dagslys og arbeider med å skape illusjon av dagslys der det ikke finnes. Rybakken undersøker hvordan lyset påvirker mennesker og den arkitektoniske romopplevelsen. Han lager både møbler og lamper, men også romlige kunstinstallasjoner.
George Clark inspirerer...
Hvis vi har litt tid innimellom, lar vi oss inspirerere av Amazing Spaces og George Clarke. Bildet ovenfor viser den geniale innredningen av en gammel jet som var på vei til søppelplassen...
torsdag 5. november 2015
onsdag 4. november 2015
Amazing
George Clarke finner mye interessant av innredning og byggekunst rundt omkring i verden.
Dette er i fra de italienske alper.
Dette er i fra de italienske alper.
søndag 1. november 2015
onsdag 28. oktober 2015
Modellbygging innspurt
Elevene jobber tålmodig under innspurten.... Artig å jobbe med fotografering og kamerainnstillinger!
mandag 26. oktober 2015
Fotografering av leilighetsmodell
Det blir spennende å lyssette og å fotografere leilighetene våre...
Vi må lære oss litt om innstillinger av kamaeraet for å få bra bilder!
Innstillinger av kamera
Innstillinger påvirker hverandre
Vi må lære oss litt om innstillinger av kamaeraet for å få bra bilder!
Innstillinger av kamera
Innstillinger påvirker hverandre
torsdag 22. oktober 2015
fredag 16. oktober 2015
onsdag 14. oktober 2015
Falling Water plantegninger. Møbeldesign av Frank Lloyd Wright.
Berømt hus, spennende historie....
Artig for våre elever å se, som jo selv jobber med plantegninger!
Plantegninger
Frank Lloyd Wright designet også møbler...
Artig for våre elever å se, som jo selv jobber med plantegninger!
Plantegninger
Frank Lloyd Wright designet også møbler...
fredag 9. oktober 2015
onsdag 30. september 2015
lørdag 26. september 2015
torsdag 24. september 2015
onsdag 23. september 2015
Genial innredning...
5 personer sove på 9 m? Er det mulig...
Joda, det lar seg ordne! (Dobbeltseng "skyves" innunder enkeltseng, da blir det plass til klesskap og.)
Joda, det lar seg ordne! (Dobbeltseng "skyves" innunder enkeltseng, da blir det plass til klesskap og.)
tirsdag 22. september 2015
onsdag 16. september 2015
En kreativ måte å huske på...
Vi setter oss selv på prøve...
Klarer vi å huske navn på designere og designikoner ved hjelp av moderne husketeknikker?
Tiden vil vise......
En interessant norsk designer
Klarer vi å huske navn på designere og designikoner ved hjelp av moderne husketeknikker?
Tiden vil vise......
En interessant norsk designer
mandag 7. september 2015
onsdag 2. september 2015
Stoler så det rekker...
De som har god råd kan jo f.eks. besøke Vitramuseet i høstferien. Der kan en se stoler så det rekker... Vi stoler på at en aldri blir lei av stoler!
Aksonometri
Vår utmerkede faglærer Even Andersen har tegnet aksonometri med elevene... Bildene er fra Camillas blog. Du gjør lurt i å følge med på elevenes blogger!
Elevene lager visittkort
Følg med; under kyndig ledelse av faglærer Torild Thane Lange lager elevene på VG3 Interiør for tiden visittkort....
mandag 31. august 2015
Designer`s Saturday
Siden flere av våre elever skal inn på Designer`s Saturday legger vi ut en nyttig lenke her i denne forbindelsen.
Utstilleroversikt
Utstilleroversikt
onsdag 26. august 2015
Vi har tegnet folk i Autocad
For å bli kjent med dette fantastiske programmet har vi i dag øvd på å tegne etter bilder i Autocad!
Vi har blitt kjent med fenomenet imageattach og det utmerkede spline-verktøyet! Spline fungerer bra til "frihåndstegning" i AC. Kjenner noen igjen denne damen?
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